Reference: www.md-subs.com/line-spacing-in-ssa, aegisub.org/docs/3.1/ASS_Tags, and www.tcax.org/docs/ass-specs.htm Tags fall into two general categories: those which set a property of the line itself, and those which modifiy only the text following them. \pos, \move, \clip, \iclip, \org, \fade and \fad are those in the first category. Tags in the first category should appear at most once in a line, and where in the line they appear is unimportant. Tags in the second category modify all text after the tag until the end of the line or until the property is re-overridden by another tag. If you can’t achieve the desired result with just one tag, a combination of them, which you put inside a pair of curly brackets ASS timing format uses centiseconds rather than frames or milliseconds, so when you import from or export to ASS, the round-off errors may sometimes push your timecodes over to the adjacent frame, spoiling your minimum intervals, shot change gaps, durations, etc. {\org(-2000000,0)\fr} Line one, {\r} \N line two: All you need to do to get the desired line spacing is adjust the \fr value. If you want to bring the lines closer, just make the value negative. \pos(x,y) positions your subtitle at x and y coordinates, \frx, \fry, \frz rotate your text along the X, Y and Z axes correspondingly \b1 makes your text bold, \b0 to disable boldface again. \u1, \u0 for underline. \fn: \fnArial, \fnTimes New Roman, \fsp changes the letter spacing \h inserts a non-breaking space, \N inserts a line break, so that the text that follows it goes to the next line \q